I’m Rick Naqvi, and I'm the owner/engineer of Black Dog Recording Studio in Baton Rouge, Louisiana and play guitar in the funk band Phat Hat. I have been working for PreSonus for the past 14 years and am currently the Vice President of Sales and Marketing. I enjoy working with people that are passionate about music and audio. Welcome to the PreSonus Blog!
PreSonus Customer Support Manager Alex Faucheux is a graduate of Full Sail University and is a veteran Foley artist, creating sound effects for films. A member of the all-PreSonus employee band Fat Rocker, he plays bass, guitar, and harmonica.
Jonathan Hillman, Studio One Software Project Manager is a six year PreSonus veteran with a degree in music from LSU. A gigging musician when not immersed in the digital world, Jonathan is also a composer and arranger for the Baton Rouge Symphony.
An established guitarist, vocalist, engineer, and producer, PreSonus Product Specialist and Customer Support representative Justin Spence graduated from the SAE Institute of Technology, then worked as an instructor and supervisor at the New York and Nashville campuses of the school before joining PreSonus. In addition to his work with PreSonus, he owns and operates the All Audio mobile recording service in Baton Rouge, Louisiana, and engineers projects at Alliance Recording Studios in Miami, Florida.
7 Comments:
I honestly feel more and more disappointed with StudioLive Mixer. To me its more Live than studio. All the features are definately good for Live performances, but they are not of good caliber for studio work. I've used it for both live and studio applications, and have to say, its just a big fancy looking interface when it comes to using it in the studio. Studio One is great, but the metering is a lot better in Cubase in my opinion. I do like the fact StudioOne can master, and easily detect Presonus gear. Cubase meters are a lot clearer to see if you are about to clip or are clipping. Maybe an update can be made to change that.
All the promos i see of the StudioLive are for live purposes??? Why not more of it in the studio???
Ive been looking at many videos but i cant find the right answers...does this mixer have automated faders? and if you move one does it move in the software as well?
Guys...all you are right about your opinion on the studiolive mixer...I also can`t find any studio recordings..not to mention the whole mix with this "thing"..it would be nice if someone tell us where we can find some solid demo recordings with this stuff.
Look in the blogs about the studiolive..Rick does a 3 part video strictly on the studiolive in the studio.... not bad stuff.
Hey Rick, very nice production from the Reality of it being Recorded, Mixed, Mastered and Published within 20 minutes. It Really shows off the incredible Potential for the Presonus 24 and Studio One, especially with the VSL for Live Production. I plan to get this along with QSC's K Series Speakers for the ultimate Live Club gigging system. I wanted to just share with you that the Final Mix is Great with the Vocals really up front, but for me the drums and guitar seemed to get pushed back a wee bit to much, especially with this song, as the overall Vibe IS the Mix of the Rhythmic Pulse and vocals dancing together. Not a criticism, but just a Feedback Intention.
Peace Bro, Keep on Rockin' in a Free World!!!
StuMac
I disagree entirely...
I love the SL1642 in my studio. If you can be bothered to read through the schematics (any engineer will tell you that's a must if you want to get the most out of any desk) then you will understand just how amazing this little desk really is.
I like S1, but am a logic user normally.
Love the XMAX pre's, the channel inserts, FX, AUX's - man it's all there if you just know how to get it to work right!
APR Studios
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